Heritage, sculpture, literature, architecture and more – Midhurst has it all!
History and heritage
Midhurst has great historical social and political significance – Cowdray played host to both Queen Elizabeth I and King Henry VIII. Guy Fawkes once worked at the house, which later caused the Montague Family to be implicated in the Gunpowder Plot of 1605. Then, in the Civil War, the Parliamentarians used the house as a Roundhead barracks. Partially destroyed by fire in 1793, the magnificent ruins now tower over the town’s water meadows and visitors can explore where Kings and Queens of England once stood.
Town trail
Discover an even older side to the town – starting on St Ann’s Hill. First, an Iron Age fort, then a centre of pagan worship, a Norman castle and finally a 12th-century fortified house, this was the core around which modern Midhurst developed. South Pond came next, built to supply fish to the castle on St Ann’s Hill. Walk on from there and you’ll find a delightful mix of medieval, Georgian, Victorian and Edwardian architecture, including more than 100 listed buildings. (leaflet available at Visitor Information points)
Literary inspiration
Thanks to HG Wells, Anya Seton and Ruth Rendell, the walk around town can also lead you into different worlds – just imagine yourself as The Invisible Man, a Tudor heroine or even the great Inspector Wexford! The town has also provided inspiration to writers as diverse as Hillaire Belloc and John Wyndham.
The sculpture of Dante
The sculpture of Dante is a gift from renowned sculptor and Midhurst resident, Philip Jackson, to the people of Midhurst. He chose this subject to acknowledge the influence of Dante on European art for almost a thousand years, including Philip’s own Italian gallery sculptures. You can see this stunning sculpture by the bridge over Midhurst’s South Pond.
Dante was an Italian poet, writer and philosopher, best known for the Divine Comedy – one of the greatest poems of the Middle Ages – in which he describes a journey through Hell and Purgatory before reaching Paradise. He is accompanied on his journey first by Virgil and then by Beatrice (a woman Dante had known). Symbolically, Virgil provided the wisdom and Beatrice the pure love necessary for such a journey. Philip Jackson’s sculpture shows Dante reflecting on the open book of the Divine Comedy, from which arise the small figures of Dante, Virgil and Beatrice.”